Africa’s mineral wealth and abundant natural resources are no secret. What we also know of much of these commodities is that, in many African countries, the profits yielded from the industries established with the purpose of securing the wealth and inheritance of the citizens of these nations, more often than not, end up in the hands of greedy politicians, easily bribed leaders, and in the pockets of the mostly foreign multinational CEOs and the companies they work for.
For decades, this has been the narrative of a dire situation that only seems to be worsening, and having equally devastating effects in both the lives of those who live in these areas, and the environment surrounding them.
Nigerian photographer, George Osodi, who comes from Nigeria’s oil rich southeastern Niger Delta region, has seen firsthand just how disastrous and traumatic the exploitation of these communities and the natural resources in these regions they occupy can be. These images show two specific areas where these distressing conditions have become the norm - in Nigeria’s Niger Delta region, and in an illegal gold mine in Ghana.
"Her and Lost In Translation are connected to each other. They’re very much on the same wavelength. They explore a lot of the same ideas. This all makes sense since Spike Jonze and Sofia Coppola were married from 1999 to 2003 and had been together for many years before that. Sofia Coppola had already made her big personal statement in regards to love and marriage right when the couple was on the verge of divorce; Her would be Spike Jonze’s answer to those feelings. What makes it even more poignant is that Her never feels resentful or petty. It feels more like a legitimate apology. It’s an acknowledgement that, in the end, some people aren’t meant to be with each other in the long run. Some people do grow apart. Lost in Translation is about a couple on the verge of growing apart, Her is about finally letting go of the person you’ve grown apart with and moving on.”